THE ARKEGRAMA
Mayo 27, 2008
What it is? What it is for?
The Arkegrama is a model of universal correspondences, a sythesis of those used in the antiquity under different ways (mnemotecnics maps -Metrodoro-, hermetical-gnostical diagrams of knowledge and wisdom, check The circle of wisdom by Ignacio Gómez de Liano), of tibetan and indian mandalas and those use nowadays by the traditional cultures, which makes it a perfect tool to make easy the transcultural dialogue between individuals and cultures, since it allows us to understand the myths and symbols of these cultures related with the History and the sacred landscapes of the Primordial Tradition (from the volume of Joseph Campbell, The masks of the heroe).
The Arkegrama is an instrument to find the exact correspondances between different levels of reality: musical notes, articulated sounds (phonemes), images, forms, colours, symbols, arquetypes, myths… It allows us to retrieve the sense of a lot of practices made unconciously, by habit or mechanically and to actualize the Tradition, cleaning it from ignorance and superstition.
It allows us to understand the structure and dynamics of the energy (of the macro and the microcosmos) and, then, understand with more deepness the alternative therapies based in the traditional knowledge, and the ways and techniques which the old explored and let us as gift, still present in the native cultures. It can be used in therapies with sound, colour, movement, a guide for the physical reorientation, vocalization, creative visualization (in its wide conception) and as instrument for the creation or the awakening of creativity.
It is in the same way a system for auto knowledge in the way that it investigates the relation between the colective unconscious and our inner being. It can be used as well as instrument for the artistic creation, allowing to correlate techniques and materials, and to stablish an armonical relation with the environment, which is not anything else than that balance between us and our environment, which is health.
Through it we can track the conexion between sounds, words (symbols), images; relate the old diagrams and the native and traditional mandalas with the figures of Chladni and the cymatics of Hans Jenny; integrate the old way of thinking, of respect to Gaia, with the new paradigms (Capra, Bohm, Peat, Pribram, Sheldrake…), the deep psicology (Jung) and the transpersonal psicology.
Traductor: Ariel de Ramos

